Wednesday, 19 September 2012

A chaise longue to lighten my load

My apologies to everyone who has continued to visit. Thank you for continuing to come. I am sorry for the lack of new posts over the previous couple of months, I seem to have had a thousand things going on during this time. This week and the next are set to be a continuation of that, especially with the run-up to Christmas. This unfortunately means I may be unable to write posts as frequently as I was able to achieve before, but I will post at least twice a week, maybe more if I'm really eager to share something with you. I'm looking forward to regaining my momentum again over the coming days and weeks.

So little of my time over the last few months has involved moments of relaxation. However I have vowed to change this after fainting recently. I suspect one too many stressful, demanding days is the reason this happened. The challenge I now face is to factor in time for relaxation whilst continuing to enjoy my work.


I am definitely not a Victorian aristocrat wearing a tight corset; I fainted in a public space, wearing no corsetry, just clean, Marks and Spencer, cotton and lycra panties; just one percent of lycra I should add, so not too tight. I fainted, falling flat-out on the floor, no comfortable chaise longue to enable me to faint with any 'assured grace'; just cold hard concrete! Ouch! I actually can't remember feeling anything until the next day, then I had to 'nurse' my bruised 'derrière'  ...  I have to at least attempt to apply a refined term to my dilemma.

The name 'chaise longue' is given to an upholstered seat and literally translates as ‘long couch’ in French. The chaise longue has a long history in Europe and was a standard feature in the manor houses of the aristocracy.

spectacular

In Victorian England, a chaise longue was known as a 'fainting couch'. They were often installed in the houses for wealthy, aristocratic women. Sometimes they were placed in rooms set aside for the sole purpose of facilitating these fainting females and were actually referred to as 'fainting rooms'.  It is understood that the women were prone to collapsing onto a chaise as a result of the stress put on their bodies by their too-tight corsets! Not I suspect as a result of trying to cram too much 'running around' into twenty-four hours.

However, despite the lack of fainting rooms in the supermarket, I was pleased to recover to find myself being attended to by a really lovely, handsome paramedic, even if I was still lying on the concrete floor!

Fainting couches are also known historically as a Recamier couch; named after Mme. Jeanne Francoise Julie Adelaide Recamier. They are a type of reclining couch which has one end that is a bit higher than the other. Originally they were the shape and style of a chaise longue, although some featured a non-upholstered foot section which made them more similar to daybeds.

Over time, the phrase ‘fainting couch’ expanded to encompass a variety of chaise longue and beds with raised head-space.

Her Highness' chair

The term chaise longue is a more colloquial term now as very few chaise longue manufacturers include “great for collapsing unconscious upon” in their promotional material. There are so many different variations on these original styles. I would have been happy to have fainted on any of them. Not that I'm planning to experience that particular drama again.

lush layers

Fainting couch

love.......

Chaise

chaise

Chaise

wow.

Interesting links:
http://en.wikipedia.org/wiki/Fainting_couch
http://pinterest.com/aniekeanieke/seating/

Monday, 18 June 2012

Attachments to our homes and the things we place in them

Already it feels like the Summer is over and it is only mid June. On days such as these which are devoid of sunshine it is music which has lifted my mood.
Music is what we need when language fails us, but we cannot remain silent. ~ Dr. Cornel West
Yesterday apart from a couple of hours weeding the garden, I spent my time indoors. No Sunday walk for fear we would get soaked. I am so longing for some days of predictable sunshine. I consoled myself  by  listening to my jazz playlist on Spotify.
"I like 'jazz', but I really don't like some 'jazz'," my daughter announced yesterday.
"Oh ... " I replied. 
I felt that reply fell way short of the response she may have expected, but I was a little surprised she had taken all these years to mention this. I cannot claim to love or listen to jazz more than any other music genre. My listening choices depend on my mood. I love listening to all kinds of music and she does too. Her thoughts on 'jazz' had not been expressed before now. I was not willing to coerce an explanation from her as I was too busy lost in my own preoccupation, besides where would I even begin? 
Jazz is the type of music that can absorb so many things and still be jazz. ~ Sonny Rollins
After watching me for a reaction and getting nothing tangible, my daughter repeated the same remark, this time with the addition that some jazz just seemed to exist to baffle;
"Some of it just sounds like they're trying too hard ... intentionally?!"
I really loved her explanation it made me laugh, but not out loud as that might have made her assume I knew all there is to know about 'jazz' ~ which I really do not. But I do actually think I understand what she is trying to explain.

When I 'first' heard 'jazz' as a young child, (I can't be any more specific about when that was), I just heard sound. I did not dislike it, it was just there. It did not have a name, music had no names in my childhood home. Any emotional response was dictated initially by those around me. I watched, listened and learned with my parents and older siblings. I absorbed their thoughts and feelings. Jazz was a part of that. Mostly my parents listened to the jazz vocalists Ella Fitzgerald, Louis Armstrong, Billy Holliday and others of that era. I loved them because they enjoyed them. That is where I determine my love of jazz started and also in the Charlie Brown cartoons I loved to watch. I never asked what I was hearing, I just listened. There were some things as a child I never questioned out loud, jazz was one of them. But I came to realize that 'jazz' as with many things can be more 'complicated'. Statements like the following make me less inclined to want to ask too many questions;
If you have to ask what jazz is, you'll never know. ~ Louis Armstrong
With my fickle heart I have fallen in and out of love with many different things, I can't explain now what attracted me to them in the first instance. Music is there with me through good and not so good times. As a child it provided me with a sense of belonging allowing me to connect with others around me. As an adult it provides more than I can begin to formulate into words.

We make similar emotional attachments to our homes and the things we place in them. We achieve this through the value of association. I have moved several times and each time it is a physical and emotional upheaval. I have certain items which have remained with me since I have had a place to call home. It is these items which make my spaces feel like home.

I love assisting others to 'enhance' their spaces. It is such a very personal thing to do. Our eclectic influences open us up to endless possibilities. But oftentimes customers at the shop and my design clients tell me they feel 'overwhelmed' by the many choices available. It's as if  they think they have to do things a certain way.  I did not 'formally qualify' as an Interior Designer. OK ... I admit I have design qualifications, but in my opinion there are no hard and fast rules. My time spent studying just enabled me to be more focused in fulfilling a brief. I developed the confidence and experience to question and interpret what my customers and clients want, that is possibly my most valuable attribute. Like Louis says 'if you have to ask what jazz is, you'll never know' as some things just work inexplicably. There are endless variations to creating unique and individual spaces.

Pinterest is proving to be a addictive but redeemed by being a fantastically useful tool in curating inspiring images and links from around the internet. I have worries that it may 'collapse'. But this just highlights my ignorance in such matters! But let's just say it did  ... I for one will really miss it. I use it to inspire my work. Take a look at some of my recent 'pins' or maybe even sign-up and follow some of my pinboards;








Thursday, 14 June 2012

Wired furniture crafted by Artisans

Visualization without Design is merely a dream. Design without Visualization just passes the time. ~ Sonal Nayyar
Feeling African based in Cape Town South Africa makes colourful wire craft works and furniture. Willard Musarurwa is the business-owner. His business story is an example of persistence. Zimbabwean by birth, he went  to Cape Town in 2000 looking for greater opportunities.
“In Zim, the cracks were already starting to show. I had a dream that one day I would own my own business, it wasn’t easy. When I came to Cape Town, I looked for a job but couldn’t find one. I used to make wire key rings, candle holders, fruit bowls, even tortoises - people really loved those. I would sell them on Long Street at night, in the clubs. At night, when people are drunk it’s the best time to sell. 
But this wasn’t a sustainable living. Things shifted in 2003 when he approached the Cape Craft & Design Institute who helped transform him from a street vendor into a small business.

Feeling African has gone from strength to strength since being accepted onto the Old Mutual Legends programme in 2008. The Old Mutual Legends Programme is a business development initiative that supports accelerated growth in emerging and community-based businesses. This enabled Willard to access a professional support network, employ staff and regularly exhibits in trade shows. His products are sold in leading South African interior shops and have featured in local and international magazines. 


Feeling African products are entirely crafted by hand by a team of artisans and galvanised prior to being powder-coated, making them durable, weather-resistant and 100% original.
“I want to be a role model for young people in the townships,” he says, ”I want them to know that you don’t always have to go out and look for jobs, you can start your own business!”

Monday, 11 June 2012

Recycling boats to make furniture

     One can steal ideas, but no one can steal execution or passion ~ Tim Ferris

As a regular visitor to Auctions, I was disappointed recently to see what appeared to be 'poor imitations' of the collection of furniture by Artlantique.

The fishermen from the West coast of Africa decorate their boats with gaily coloured geometric designs. Once the fishermen return to the beach after the days fishing, the boats, seen from a distance form an extensive colourful mosaic.



Every piece of Artlantique furniture is made by local craftsmen who use old abandoned West African fishing boats.




Each item of furniture is unique as no two boats are ever the same. The “Samba” wood has in no way been treated.




 All images from Artlantique

I do not have any additional information about the items I saw at the Auction. They appeared so 'soul-less' placed in that environment. I was actually attending the Auction with my sister the first time I saw the 'copies'. She questioned who was likely to buy these pieces as she deemed them to be 'awful'. For me their awfulness was not so readily apparent but their lack of authenticity most certainly was. They had obviously been 'crafted' by someone, but they were certainly a mass produced item made to cash-in on the up-cycling fashion. Their harsh, painted surfaces lacked the real weathered appearance which is so appealing about the furniture from Artlantique. Generally the concept of recycling in Africa is a life style not a fashion.

The raw material is the boat itself; recycling the wood from the boats preserves the history of the fishermen, their families and  the boat. The wood of the boat does not hide the thousands of nautical miles navigated along the African coast. Therefore the value is not only in the appearance but also in the history of each boat.

Artlantique have successfully combined the history of a livelihood and the union of fishing and carpentry in Africa.

Interesting links:
http://artlantique.com/collection.htm
http://anieke.blogspot.co.uk/2012/06/eco-friendly-delights.html
http://anieke.blogspot.co.uk/2010/09/re-use-recycle-and-repair.html

Thursday, 7 June 2012

Eco-friendly delights

The African Queen Studio is a small, creative business, based in McGregor, a rural village in the Western Cape of South Africa.

The African Queen Studio specializes in creating a unique, high-end, quality range of eco-friendly interior decor items. Each item is handmade using natural materials and waste, beads and crystals embellishment successfully transforms them into the most interesting pieces

Presently the African Queen Studio is inspired by the beautiful forms and shapes of dried jacaranda seedpods, collected in their rural area by local residents. They are cleaned and painted before being strung to produce  the most exquisite and enchanting chandeliers.

This labour intensive process creates employment opportunities. The work is simple and requires minimal skills training. No power or machinery is required in the production processes.


The jacaranda trees which line the local streets

The jacaranda blossom

The jacaranda seed pod split but not yet fallen off the tree








Interesting links:
http://www.designindaba.com/exhibitor/african-queen-studio-profile
http://en.wikipedia.org/wiki/Jacaranda
http://anieke.blogspot.co.uk/2011/09/sometimes-it-is-better-to-give-your.html

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